Kamis, 27 September 2012

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Theory on the Edge brings together some of the foremost specialists working at the interdisciplinary interface between Irish Studies, feminist theory, queer theory, and gender and sexuality studies in order to trace the contemporary development of feminist thinking and activism in Ireland.

  • Sales Rank: #6049248 in Books
  • Published on: 2013-06-13
  • Released on: 2013-06-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.67" h x .94" w x 5.65" l, 1.00 pounds
  • Binding: Hardcover
  • 300 pages

Review

"This landmark and invaluable collection of essays shows how the shape of Irish Studies has been changed for the better by the substantial interventions that feminist and queer practices have made. It historicizes feminist and queer activism in Ireland and its diasporas, as well as showing how critically important it is to centralize perspectives that emphasize embodiment, sexuality, and gender for reading Ireland now and into the future." - Mike Cronin, Professor, Boston College, Ireland

"Irish feminism, activist, and academic, has supplied impetus for virtually all of the most remarkable social transformations that we have observed in Ireland over the past three decades, while nurturing and cross-pollinating with an array of other distinct movements vastly influential in their own right. This collection is indispensable to our understanding of a particularly dynamic, heterogeneous, and theoretically sophisticated feminist movement." - Margot Backus, Professor, University of Houston, USA

"This collection is a fitting tribute to and extension of the work of Ailbhe Smyth and her vigorous, indefatigable and lifelong commitment to feminist theory and activism. As a public intellectual, essayist, poet and feminist Smyth has been instrumental in integrating sexual difference into the Irish context and the essays here are equally engaged and curious about this persistent question for our time. Each of the contributors shares Smyth's mischievousness, passion, and her genuine and uncompromising fidelity to feminist thinking. Giffney and Shildrick have generously repaid the debts owed to Smyth politically, poetically, and philosophically and produced a volume which ensures that the edge-work she made possible can continue on far into the future." - Michael O'Rourke, Independent College, Dublin, Ireland

About the Author
Olga Cox Cameron, St Vincent's University Hospital and Trinity College Dublin, Ireland Noreen Giffney, University College Dublin, Ireland Breda Gray, University of Limerick, Ireland Sandra McAvoy, University College Cork, Ireland Gerardine Meaney, University College Dublin, Ireland Anne Mulhall, University College Dublin, Ireland Aideen Quilty, University College Dublin, Ireland Medb Ruane, University College Dublin, Ireland Margrit Shildrick, Link�ping University, Sweden Edith Shillue, independent scholar Ailbhe Smyth, University College Dublin, Ireland Moynagh Sullivan, NUI Maynooth, Ireland Fintan Walsh, Queen Mary College, University of London, UK Margaret Ward, Director of the Women's Resource and Development Agency, Northern Ireland Ivana Bacik, Trinity College Dublin, Ireland Eithne Luibh�id, University of Arizona, USA Debbie Ging, Dublin City University, Ireland Lisa Fingleton, artist and filmmaker Paula Burns, civil servant

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Jumat, 21 September 2012

[X999.Ebook] PDF Download Jane's Code: How a below average guy convinced the most beautiful woman in town to marry him, by M.Farouk Radwan

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Warning

As much as i want to sell my book i still don’t want it to be the reason someone’s heart gets broken.

If you are not 100% sure of your intentions then please don’t use the information in that book to attract a poor soul to you just to get a one night stand or to have fun.

If you are sure you love a person then you may use everything mentioned in that book to attract that person to you but please don’t fool people or just play around for the sake of spending some good time.

About the Book

This novel is for any person who wants to understand how love truly happens and how it can be manipulated.

The novel will reveal to you shocking facts about love and show you how you can manipulate it whether you are a Man or a woman. It’s the kind of novel that is loaded with proven scientific facts that will help you on your quest to win the heart of any person you like with disregard to your looks or resources.

Patrick is a young man who is not attractive, shorter than his crush and who is also broke. Patrick Fell in love with Jane the most beautiful and popular woman in town. He thought he never had a chance until he accidentally came across some hidden secrets, that very few people know, that helped him make her fall for him.

  • Sales Rank: #2618829 in Books
  • Published on: 2015-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .48" w x 6.00" l, .64 pounds
  • Binding: Paperback
  • 212 pages

Most helpful customer reviews

1 of 2 people found the following review helpful.
Good story!! not the usual fairy-tale mumbo jumbo
By Katrin
I really enjoyed this book, it's so different than the mainstream romances, I particularly enjoyed the parallel stories to the protagonists in the novel and I loved the fact that you see why Jane falls for this guy... It's not the usual fairy-tale mumbo jumbo where she saw his sexy eyes, mouth, bod and she knew before talking to him that they would be together forever. Good story foundation!! I totally recommend it :)

1 of 2 people found the following review helpful.
A book that will keep you on the edge of ...
By Ashraf
A book that will keep you on the edge of your seat from the first page till the end. A very common issue to which many people will relate. Simply a brand new idea that will blow your mind.

0 of 1 people found the following review helpful.
Mi Love Code to Jane's code
By samuel sunder
This is a powerful and most creamy love story book tat i've ever read....which takes us into the deep heart of it and stealing the our soul... great love story and strong basement of story line....good presentation..... i strongly recommend mi frnds to read this soon before Valentine's day!!! ;)

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Senin, 17 September 2012

[Q679.Ebook] Download PDF Clinical Decision-Making and Judgement in Nursing, 1e, by Carl Thompson BSc(Hons) PhD RN, Dawn Dowding BSc(Hons) PhD RN

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Clinical Decision-Making and Judgement in Nursing, 1e, by Carl Thompson BSc(Hons)  PhD  RN, Dawn Dowding BSc(Hons) PhD RN

The book will give a critical overview of the current research literature regarding the topic of clinical decision making and judgement in nursing. This is in contrast to other texts which either rely on anecdotal evidence to justify their approach, or focus on medical (rather than nurse) decision making. The text aims to help individuals apply different techniques to practice, aiming for a 'non-academic' style which will be easy for readers to understand. Both the editors are researchers in the field of nurse decision making and have considerable experience teaching the subject on third level diploma/degree, masters level and post-registration nursing courses. This text is therefore unique in drawing together both the research (current as well as that which has already been published) and practical experience of implementing techniques in practice.

  • Sales Rank: #1423269 in Books
  • Published on: 2002-03-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x .50" l, .72 pounds
  • Binding: Paperback
  • 212 pages

About the Author
Carl Thompson is lecturer in English at the Nottingham Trent University

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Minggu, 16 September 2012

[P440.Ebook] Download Discovering AutoCAD 2013, by Mark Dix, Paul Riley

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Discovering AutoCAD 2013, by Mark Dix, Paul Riley

Discovering AutoCAD 2013 presents a hands-on, activity-based approach to the use of AutoCAD as a drafting tool–complete with techniques, tips, shortcuts, and insights that improve efficiency. Topics and tasks are carefully grouped to lead students logically through the AutoCAD command set, with the level of difficulty increasing steadily as skills are acquired through experience and practice. Straightforward explanations focus on what is relevant to actual drawing procedures, and illustrations show exactly what to expect on the computer screen. This edition features Web-based exercises, projects, and new test questions for each chapter.

  • Sales Rank: #751557 in Books
  • Brand: Dix, Mark/ Riley, Paul
  • Published on: 2012-06-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x 1.00" w x 8.40" l, 2.75 pounds
  • Binding: Paperback
  • 696 pages
Features
  • Used Book in Good Condition

About the Author
"Mark Dix" began working with AutoCAD in 1985 as a programmer for CAD Support Associates Inc. He helped design a system for creating estimates and bills of material directly from AutoCAD drawing databases for use in the automated conveyor industry. This system became the basis for systems still widely in use today. In 1986, he began collaborating with Paul Riley to create AutoCAD training materials, combining Riley's background in industrial design and training with Dix's background in writing, curriculum development, and programming. Dix and Riley have created tutorial teaching methods for every AutoCAD release since version 2.5. Mr. Dix has a Master of Arts in Teaching from Cornell University and a Masters in Education from the University of Massachusetts.

"Paul Riley" has been an instructor and designer specializing in graphics and design of multimedia. He is a founding partner of CAD Support Associates, a contract service and professional training organization for computer aided design. His 15 years of business experience and 20 years of teaching experience are supported by degrees in education and computer science. Paul has taught AutoCAD at the University of Massachusetts, Lowell and Mt. Ida College in Newton, MA. He has developed a program, Computer Aided Design for Professionals that is highly regarded and has been an ongoing success for the past 15 years.

Mark Dix began working with AutoCAD in 1985 as a programmer for CAD Support Associates, Inc. He helped design a system for creating estimates and bills of material directly from AutoCAD drawings for use in the automated conveyor industry. This system became the forerunner of systems still widely in use today. In 1986 he began collaborating with Paul Riley to create AutoCAD training materials, combining Riley's background in industrial design and training with Dix's background in writing, curriculum development, and programming. Mr. Dix received the M.A.T in teaching from Cornell University and the M.S. degree in education from the University of Massachusetts. He is currently the Director of Dearborn Academy High School in Arlington, Massachusetts. Paul Riley is an author, instructor, and designer specializing in graphics and design for multimedia. He is a founding partner of CAD Support Associates, a contract service and professional training organization for computer-aided design. His 15 years of business experience and 20 years of teaching experience are supported by degrees in education and computer science. Paul has taught AutoCAD at the University of Massachusetts at Lowell and is presently teaching AutoCAD at Mt. Ida College in Newton, Massachusetts. He has developed a program, Computer-aided Design for Professionals that is highly regarded by corporate clients and has been an ongoing success since 1982. With Mark Dix he has created text books for every release of AutoCAD since version 2.5 in 1987.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Not clear enough.
By Augustinaris
Update: I'm lowering my review down from 3 stars to 1 star for the following reasons.
When I rely on this book to do my coursework, it ends up taking much longer than it should, along with a lot of guessing, because the majority(not just a lot, but most) of the drawings have very noticeable inaccuracies. On several of the drawing which require accurate dimensions to complete, the given information is not reliable. For example, just turning to a random drawing I've done in the past, Drawing 9-7, They are telling me a 2 foot hour tick will fit withing a 2 foot clock... and a 1 foot minute tick(very small in picture), is also a very small fraction. along with the Font of 2 feet, which clearly will not look good in a 2 foot clock. and an inch thick donut around the clock does not look like the picture.

Another example drawing 10-1, suggests using a 1 foot snap, yet most of the placements of things are on the inch scale. and says to set precision to 0'-0', which is unheard of.

I would recommend that people stay away from this book. It is very difficult to use, and now, I usually just ignore what they're telling me. As I sit here doing homework, I notice another inaccuracy, on drawing 11-2. The mp3 player is 6.18 units wide, with a 5.242 unit wide screen. The screen appears centered, but then it says it's edge is .5 units away from the edge of the player. Being centered, that means the mp3 player would be 5.242+.5+.5=6.242 which is greater than the actual width. If I place the screen as it describes, there is a noticeable Asymmetrical look to it, which is different than the text.

If I could, I would rate this product 0 stars. It appears there was absolutely no proof-reading by a careless publisher.

-----------------------------------------------------
Original:

I'm currently on my second term of taking an autocad class at my community college, which unfortunately uses this book. I've done most of the drawings through where I currently am (chapter 9), and have found the authors do not do a very good job explaining the drawings. I've noticed several inconsistencies with their dimensions, and lack of dimensions which make some drawings a guessing game. Some techniques are required for drawings, but are explained only in later chapters. Changing dimension appearance, and the very many different commands to edit them are also not explained very well, and I find myself looking in online forums to figure out better techniques. I rate it three stars because it does do an adequate job at teaching me the very basics, but their drawings are asking too much; so much that it is more than they teach.

0 of 0 people found the following review helpful.
Not impressed
By SteelSlicer
This was the required text for a college level class. The book was difficult to use, I have AutoCAD experience going back 20 years. I used it more for figuring out geometry for machining rather than creating drawings, but I have a decent working knowledge. At the end of each chapter, there are drawings that you have to redo. For some reason, the drawings are not turned to utilize the whole page, which makes the dimension and notes tiny and hard to see. I'm over 60, and was going to write it off to "old eyes", but many other people in the class complained about the same thing. I attached a picture of one drawing, why wouldn't you turn it 90 degrees and fill the page? Also, there was a test at the end of each chapter, so our instructor used the exact questions as a quiz each week. The quiz was online and open book, with 1 hour to answer 10 questions. There were quite a few questions that I looked back in the chapter and could not find the answer to. Again, this happened to a lot of people in the class, and some who got it right said they guessed. A couple of times, the instructor ended up giving everyone credit, because he couldn't find the answer either. By the way, I have a 3.83 GPA, so it's not due to my slacking off. And if you're writing a text about drafting, why would you not follow standard drafting conventions? Many of the sample drawings left items undimensioned, requiring the student to guess what to use, because there wasn't enough info to calculate the missing dimensions. To support that, I'm a 30 year machinist, and have had to deal with some real garbage prints over the years, so I know how to extract the info I need. I have 2 more AutoCAD classes upcoming, and the school has upgraded to Acad 2016, I hope I don't have to use a text from the same author.

0 of 0 people found the following review helpful.
helpful overall
By Shannon MacDonald
There seem to be a few measuring mistakes, but the explanations and step by step instructions were very helpful. It would be helpful if the chapter test answers were listed in the back of the book. Also, I was viewing this on a samsung tablet and the illustrations were not clear.

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Sabtu, 15 September 2012

[F658.Ebook] PDF Download EASA Part-66 Question Bank: Volume-1, by Aircraft Maintenance Training Instructors

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EASA Part-66 Question Bank: Volume-1, by Aircraft Maintenance Training Instructors

EASA Part-66 Test Guide is compiled by the experienced Aircraft Maintenance Training Instructors. Contains more than 10,000 probable sample questions with the answer and explanation, very essential to prepare for and pass EASA Part-66 Module Exams.

  • Sales Rank: #2611561 in Books
  • Published on: 2010-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.20" w x 8.50" l, 2.68 pounds
  • Binding: Paperback
  • 530 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Best Test Guide for Part-66 Exams Preparation.
By Shakil
Best book to prepare for EASA Part-66 modules. I strongly recommend for all aircraft technician and aircraft maintenance personnel want to take CAA Part-66 license exams.

0 of 0 people found the following review helpful.
useful
By yanjk
pretty good

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Rabu, 12 September 2012

[Z325.Ebook] PDF Ebook The Romanovs: 1613-1918, by Simon Sebag Montefiore

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The Romanovs: 1613-1918, by Simon Sebag Montefiore

The Romanovs were the most successful dynasty of modern times, ruling a sixth of the world’s surface for three centuries. How did one family turn a war-ruined principality into the world’s greatest empire? And how did they lose it all?

This is the intimate story of twenty tsars and tsarinas, some touched by genius, some by madness, but all inspired by holy autocracy and imperial ambition. Simon Sebag Montefiore’s gripping chronicle reveals their secret world of unlimited power and ruthless empire-building, overshadowed by palace conspiracy, family rivalries, sexual decadence and wild extravagance, with a global cast of adventurers, courtesans, revolutionaries and poets, from Ivan the Terrible to Tolstoy and Pushkin, to Bismarck, Lincoln, Queen Victoria and Lenin.

To rule Russia was both imperial-sacred mission and poisoned chalice: six of the last twelve tsars were murdered. Peter the Great tortured his own son to death while making Russia an empire, and dominated his court with a dining club notable for compulsory drunkenness, naked dwarfs and fancy dress. Catherine the Great overthrew her own husband (who was murdered soon afterward), enjoyed affairs with a series of young male favorites, conquered Ukraine and fascinated Europe. Paul I was strangled by courtiers backed by his own son, Alexander I, who in turn faced Napoleon’s invasion and the burning of Moscow, then went on to take Paris. Alexander II liberated the serfs, survived five assassination attempts and wrote perhaps the most explicit love letters ever composed by a ruler. The Romanovs climaxes with a fresh, unforgettable portrayal of Nicholas II and Alexandra, the rise and murder of Rasputin, war and revolution—and the harrowing massacre of the entire family.

Dazzlingly entertaining and beautifully written from start to finish, The Romanovs brings these monarchs—male and female, great and flawed, their families and courts—blazingly to life. Drawing on new archival research, Montefiore delivers an enthralling epic of triumph and tragedy, love and murder, encompassing the seminal years 1812, 1914 and 1917, that is both a universal study of power and a portrait of empire that helps define Russia today.

  • Sales Rank: #547 in Books
  • Published on: 2016-05-03
  • Released on: 2016-05-03
  • Format: Deckle Edge
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.51" h x 1.70" w x 6.55" l, 2.74 pounds
  • Binding: Hardcover
  • 784 pages

Review
“Simon Sebag Montefiore's�The Romanovs�is epic history on the grandest scale . . . A story of conspiracy, drunken coups, assassination, torture, impaling, breaking on the wheel, lethal floggings with the knout, sexual and alcoholic excess, charlatans and pretenders, flamboyant wealth based on a grinding serfdom, and, not surprisingly, a vicious cycle of repression and revolt.�Game of Thrones�seems like the proverbial vicar's tea party in comparison . . . Reading Montefiore's excellent account, it is hard to imagine how the monarchy could ever have survived under their catastrophic leadership.”
—Antony Beevor,�Financial Times

“Spellbinding . . . it takes true historical daring to tackle such an immense subject. . . . Montefiore’s novelistic gift of drawing vivid characters with a few choice words never fails him. . . . The main portraits are invariably memorable. . . . This monumental work is an essential addition to the library of anyone interested in Russian history and the doomed dynasty of the Romanovs.”
—Olga Grushin, The New York Times Book Review

“Wonderfully written and fascinating down to the last footnote. . . . [Montefiore’s] style is polished, lively, informed. . . . Montefiore is an accomplished storyteller, and what might have been a plodding succession of reigns reads instead like a novel—specifically, in its interplay of themes and motifs, and especially its pairing of opposites, like Gabriel Garc�a M�rquez’s�One Hundred Years of Solitude. . . . [The Romanovs’] stories—freshened, compressed, filled in and corrected—achieve new power and meaning in this fast-moving narrative. . . . Like a novel, too, this is a hard book to put down. As historical reconstruction and as storytelling,�The Romanovs�is an achievement of the first rank.”
—David Walton,�The Dallas Morning News

“The book is a marvellous read and the last third, from fin de si�cle to revolutionary cataclysm, is dazzling . . . The pages on Nicholas and Alexandra are perhaps the best ever, economical in expression, simultaneously poignant and trenchant. Vignettes are used to reveals depths of personality . . . And just as a novelist wields dialogue, Montefiore renders of the birth of each daughter with pithy quotations from memoirs. Here in the sweeping story of the downfall, the salaciousness delivers more than just sparkling passages as in Montefiore’s incisive telling of Rasputin’s machinations and murder or his accounts of the executions of 18 Romanovs in 1918 . . . Thanks to the talents of Simon Sebag Montefiore, Romanov rule will hereafter appear still more improbable and haunted.”
—Stephen Kotkin, The Wall Street Journal

“Drawing on a wide array of Russian sources, Sebag Montefiore paints an unforgettable portrait of characters fascinating and charismatic, odd and odious. Magnificent palaces, elaborate balls, and a culture that produced Pushkin, Tchaikovsky and Tolstoy existed alongside pogroms, torture and murder . . . Monarchs over one-sixth of the globe, they played at Western niceties while clinging to Byzantine notions of absolute rule. . . . Erudite and entertaining.”
—Greg King, The Washington Post

“Captivating . . . The story of the Romanovs has been told countless times but never with such acompelling combination of literary flair, narrative drive, solid research and psychological insight. The Romanovs covers it all, from war and diplomacy to institution building and court intrigue, but it is chiefly an intimate portrait that brings to life the twenty sovereigns of Russia in vivid fashion . . . Montefiore writes with subtlety and sophistication about the nature of court life, the dynamics of power and the shifting configurations of the various players.”
—Douglas Smith, Literary Review

“This enthralling and gruesome book mixes sexual exploits, torture, war, betrayal and diplomacy. It partly describes how Russia morphed from miserable weakling into mighty empire. But it is mainly the story of the personalities: the cruelty of Ivan the Terrible, the unstoppable willpower of Peter the Great, and then Catherine, perhaps more deservedly ‘the Great’ for her brains, charm, vision and sex drive.”
—Edward Lucas,�1843�magazine

“A mammoth, sparkling history of Russia’s royal history.� Montefiore has an eye for the telling details that lifts an unfamiliar narrative. His mammoth history features many vivid, amusing suprising particulars, indeed it’s startlingly lubricious and gory. Gore and sex aside, the author’s pen produces reams of fluent sometimes sparkling prose. Many of his reflections on the Romanov era apply well to Vladimir Putin’s domains now…The Russian court was an entrepot of power; its role as a broker allowed participants to amass wealth and bonded them in shared loyalty but it also allowed them to compete without restoring to civil war or revolution.� That sounds pretty like the modern Kremlin.”
—The Economist

“Charts the rise and fall of Russia's Romanov dynasty, which began in 1613 and ended with the whole royal family being shot dead in a basement in 1918. It has been painstakingly researched and the attention to historical detail is breathtaking. The lives of 20 tsars and tsarinas are recorded in exquisite detail through words and pictures. Although some of their escapades are not for the faint-hearted (the Russians were barbaric in their punishments) the rich and vibrant history is utterly compelling. It grabs you by the hand and thrusts you into the world of Imperial Russia with all its decadence and finery. Montefiore has become a popular presenter of BBC history programmes on subjects ranging from Jerusalem to Spain, and here his clear, concise narration and wonderful tone make this a delight to read. Ideal for students of history or for those just seduced by the BBC's version of War and Peace and wanting to brush up on their history."
—Tania Findlay, The Sun (London)

“With its sordid power struggles, violence and brutality, its cast of magnificent monsters, tragic victims and grotesque ‘holy men,’ this is an extraordinary and gripping tale . . . By turns horrific, hilarious and moving, but ultimately tragic, this is essential reading for anyone interested in Russia.”
—Adam Zamoyski, The Spectator

“Wonderfully compelling and insightful . . . Sebag Montefiore provides fabulously revealing pen-portraits of the 20 Romanov tsars, as well as their spouses, mistresses and senior advisers . . . The author has already written excellent books on Catherine the Great and Stalin. This one is even better, combining as it does his expert knowledge of Russian history with the narrative wizardry displayed in his previous bestseller, Jerusalem. The Romanovs is the gripping and scarcely credible tale of the most successful royal dynasty since the Caesars, and Sebag Montefiore tells it brilliantly.”
—Saul David, Evening Standard

“Exquisite prose . . . rigorous research . . . depravity in boundless detail. Behind the dissonant degeneracy, one finds a perceptive analysis of the Russian addiction to autocracy. The Romanovs contains the most bizarre cast of characters I’ve ever encountered . . . The Romanov family was heavily populated with raving sex addicts . . . He writes with perfect cadence.”
—Gerard de Groot, The Times (London)

“Montefiore’s journey through 300 years of the Romanov dynasty is a study of brutality, sex and power . . . riveting . . . the research is meticulous and the style captivating.”
—John Kampfner, The Observer (London)

“This magisterial and magnificent history . . . a wonderfully ambitious account of 300 years of Russian history . . . an authoritative and gripping account of the Romanovs. The last section is especially powerful. This is a superb book and it will surely become the definitive work.”
—Jane Ridley, The Oldie

“This splendidly colorful and energetic book . . . is structured simply, as a helter-skelter chronological narrative of 300 years. Sebag Montefiore expertly selects the best (most shocking, bizarre, sensationally theatrical) bits from that long history . . . Sebag Montefiore rises to the gaudy, gruesome subject matter, pulling all the stops out . . . Sebag Montefiore is alive to the way his story resonates across time, from Genghis Khan to Gorbachev, but he doesn't allow his erudition to hold up the narrative's gallop . . . with great gifts for encapsulating a character and storytelling con brio.”
—Lucy Hughes-Hallett, New Statesman

“It is a considerable achievement of expository prose that the detailed research that underpins this account of the Romanovs and their courts makes this long book never less than readable.”
—Claire Hopley,�The Washington Times

“Mr. Montefiore, whose research is extensive, has an ear for the pithy anecdote. . . . The depth of his research has resulted in reassessments of many of Russia’s better-known rulers.”
—Marilyn Bowden,�Miami Today

“A new book from Simon Sebag Montefiore is something of a literary event these days. . . . His latest project is in some ways his most ambitious yet . . . However it's one that [he] pulls off with aplomb. As much a riveting read as a prodigious work of scholarship . . . he could not have picked a better time to publish this epic and enthralling history of a dynasty that rose up drenched in blood and died out in exactly the same manner.”
—Dominic Midgley, Daily Express

"The dynasty is a marvellously rich bag of deshabille, despotism and diplomacy as Montefiore's feisty history brilliantly shows.. Countless illuminating details gleaned from archives stud the pages of The Romanovs . . . The gems are priceless . . . Immensely enjoyable full-blooded and totally enthralling."
—Judith Armstrong,�The Australian

“Montefiore brings an historian’s intellectual rigour to bear in this book while managing to make it both informative and entertaining. It is aimed at the general reader but is an obvious work of great scholarship and research.”
—Melbourne Sun-Herald

“A comprehensive overview of the Romanov dynasty . . . which skillfully interweaves the personal with the political . . . Montefiore is the perfect author for a book of the ambition and scope of The Romanovs . . . The Romanovs is old-fashioned narrative history at its colorful and unpretentious best. Montefiore is a wonderful guide . . . the writing sparkles . . . The Romanovs deserves the best praise any book can get: it never bores . . . Montefiore has much to say about political machinations as he does about personal friendships and love which lifts his work far above drily academic history.”
—Andre van Loon, Sydney Morning Herald

“Simon Sebag Montefiore has written a magisterial account of unlimited power and sexual decadence based on a remarkable correspondence.”
—The Mail On Sunday

“From dramatic rise to revolutionary fall, 20 autocratic Romanov tsars and tsarinas ruled over three centuries of blood-soaked war and brutal peace, breathtaking riches and absolute power, passionate love and ruthless ambition, madness and decadence. With ease and expertise, Simon Sebag Montefiore brazenly presents the Romanov royal history as a mesmerizing family saga, always spectacular and finally in 1918, tragic.”
—Iain Finlayson, SAGA magazine

“It’s like reading 20 riveting, plot-thickening novels in the space of one volume. And the packaging looks equally scintillating.”
—Caroline Sanderson, The Bookseller

“In another great work of history, Simon Sebag Montefiore, author of�Jerusalem, tells the bloody and decadent stories of the 20 tsars and tsarinas of Russia's last imperial dynasty.�The Romanovsis like 20 gripping novels in one.”
—Sunday Express�(London)
��
“As Simon Sebag Montefiore demonstrates in this magnificent, sweeping history, the Russian royal family was a remarkable dynasty, turning a vast but backward country into a mighty empire capable of defeating Napoleon at the zenith of its power. Despite the extraordinary depth and range of his research, the author avoids the dryness of more academic volumes. Instead he embarks on a rollicking, racy narrative across more than three centuries of Romanov rule, weaving a tale that is packed with salacious gossip and gruesome details.”
—Leo McKinstry S Magazine, Sunday Express
“Panoramic . . . Montefiore tells it compellingly.”
—Roger Lewis, Daily Mail

“In a brilliant introductory essay, Sebag Montefiore discusses the principle of tsarist autocracy, the limits of imperial power, the challenges of succession and the operation of government . . . Sebag Montefiore’s book is an immensely entertaining read . . . it features some of the most outrageous characters you are likely to find in a history book . . . The story of the last Romanovs has been told a thousand times, yet it is a tribute to Sebag Montefiore’s skill as a narrator that you turn the pages with horrified fascination.”
—Dominic Sandbrook, Sunday Times (London)

“A glorious history of the Romanov dynasty bursting with blood, sex and tears.”
—Peter Frankopan, Daily Telegraph

“Simon Sebag Montefiore’s blockbuster history of the Romanov dynasty arrives with exquisite timing ... The historian's account of the last months, days and hours of the Romanovs will not disappoint ... [and] show Sebag Montefiore’s narrative bravado at its scintillating best. There is unlikely to have been a racier account of how the last Romanovs met their end . . . Masterly.”
—Mary Dejevsky, The Independent

“This history of Russia’s famous (and infamous) dynasty is compelling, accessible stuff, covering its huge timespan and vast cast of characters in typically vibrant fashion. It's insightful about the continuing legacy of the Romanovs in Russia today, too.”
—Matt Elton, HistoryExtra.com

“A lively work illustrating the personalities, sensuality, and steely wills of the long line of Russian rulers. Master British biographer Montefiore presents a staggeringly ambitious work of scholarship and temerity. . . . The author tosses in plenty of detail to fully bring to life each ruler. . . . The violence of jealously guarding power knows no bounds in this spirited account of sycophants and bedfellows. A magisterial portrayal of these ‘megalomaniacs, monsters and saints” as eminently human and fallible.”
—Kirkus Reviews (starred review)

“[The Romanovs] reveals the author’s gift for storytelling and research acumen. . . . Montefiore’s compassionate and incisive portraits of the Romanov rulers and their retinues, his liberal usage of contemporary diaries and correspondence, and his flair for the dramatic produce a narrative that effortlessly holds the reader’s interest and attention despite its imposing length.”
—Publishers Weekly (starred review)

“Montefiore lets each sovereign exhibit, in telling detail, his or her distinctive qualities while he judiciously weighs their strengths and weaknesses against the turbulence that has been the hallmark of czarist Russian history. The chapters on Peter the Great and Nicholas II stand out as particularly discerning in this major work.”
—Brad Hooper, Booklist (starred review)

“Historian Montefiore delivers an impressive telling of the Romanov autocratic dynasty in Russia. . . . Hefty . . . but the reward is worth the time. Fans of Russian and world history, those who enjoyed the author’s previous works, and anyone interested in royal intrigue and betrayal will find great pleasure here.”
—Jason L. Steagall, Library Journal (starred review)

About the Author

SIMON SEBAG MONTEFIORE is a historian of Russia and the Middle East. Catherine the Great and Potemkin was short-listed for the Samuel Johnson Prize. Stalin: The Court of the Red Tsar won the History Book of the Year Prize at the British Book Awards. Young Stalin won the Los Angeles Times Book Prize for Biography, the Costa Biography Award, and le Grande Prix de la biographie politique. Jerusalem: The Biography was a worldwide best seller. Montefiore’s books are published in more than forty languages. He is the author of the novels Sashenka and One Night in Winter, which won the Paddy Power Political Fiction Book of the Year Award in 2014. A Fellow of the Royal Society of Literature, Dr. Montefiore graduated from Cambridge University, where he received his PhD. He lives in London.

www.simonsebagmontefiore.com

Most helpful customer reviews

8 of 8 people found the following review helpful.
Stick with Massie
By Cedar Grove Chef
I read the reviews and having read Robert Massie's books about Peter the Great, Catherine the Great and Nicholas and Alexandra -- and having been to St. Petersburg -- I thought I'd read this to round out my knowledge. Montefiore is no Massey. Yes, there was information I'd not seen before. But all the detail about the sex lives of the Romanovs became quite tedious. I did not find it to be a compelling read, but more of an endurance test.

4 of 4 people found the following review helpful.
Excellent Overview of Russia's History Focused on Each Romanov Tsar
By Ambrose
Very enjoyable book that presents a biography of each Romanov from Michael - the first - through Nicholas - the last (though his brother got to be Tsar for day). Each one was interesting and a key player in major events - and they come alive in this book. Writing a biograpghy of the family is a bit challenging - you can't present the entire history of Russia in one volume, so what to cut? My view is that Montefiore does a good job of giving the reader a thorough overview of what was happening in Russia and the world at each stage of his book, while keeping the focus on the Tsars themselves with all their quirks and personalities. I would have liked a bit more on Peter the Great and maybe a little less on Nicholas II (almost a third of the book on the hapless last Tsar) and less of Alexander II's sex life (freeing the serfs while doing it with Katya 3 times a day)- but I didn't write the book, did I. Read it, you'll like it.

3 of 3 people found the following review helpful.
Fast-paced, scurrilous, lurid, scandalous, BUT, scholarly and impossible to put down
By David H. (Austin)
Simon Sebag Montefiore is one of the preeminent narrative historians of our time. His history of Jerusalem and his history of the 'Court' of Stalin the Red Tsar are books informed by vast knowledge of his subjects and meticulous research. Yet, all of his books are written with verve and keen insight into the motives of the principal players. This book on the Romanovs is somewhat different in that Montefiore really has written an actual biography of a whole family. The events and people impinging on their lives from the outside world and foreign autocrats and, later, foreign republicans (small 'r') are duly presented. But, make no mistake: this is a very personal story of a family.

Starting with the first Romanov tsar, Michael I, the author follows the ups and downs of the family until the bitter end in the Ipatiev house in Ekaterinburg. It's all here: intrigue, murder, betrayal, foolishness, some nobility, and sex -- lots of sex. Erotomania has, of course, been a feature of many a dynasty but seriously, the Romanovs, to put it mildly, just couldn't get enough. Catherine the Great, according to Montefiore, always had to be in love. Alexander II exchanged letters with his mistress that are so steamy that I felt like a voyeur reading them. And, unfortunately, the reader is 'treated' to one too many of the sexy billets-doux. Even the uxorious Nicholas II and his dim-witted tsarina Alexandra got cutesy by naming their private parts in their correspondence. A little of that went a long way.

This is not to say that this book is all sex: I referred to it simply because, if nothing else, it brought these august people to life and made real human beings out of them. What is overwhelming is the utter foreigness of this clan to western eyes. There is Peter the Great killing his heir in a rage, the empress Anna humiliating one of her most eminent courtiers (from an old noble family) by making him wear a chicken outfit and sitting in a nest making clucking noises in front of the court. After church he would be joined by Anna's circus of freaks also dressed 'au poulet' and they would all cluck away. Hard to imagine this happening in the courts of Louis XV and George II, let alone the dismal Prussian court. The chapter on Paul is just as fascinating but his end rises to the level of Grand Guignol.

Montefiore's assessment of Alexander I is well-reasoned and rescues him from his inevitable disparagement from writers enthralled by Alexander's glittery contemporary Napoleon. When Montefiore gets to Alexander II, the reader is at last given a portrait of overall the most attractive of all the Romanov rulers. He tried hard to reform his sclerotic country but he was frustrated by inertia and the dead hand of custom at every turn. Even his reforms were not enough for the revolutionaries and nihilists that hunted him down like an animal. His end was sad and his successors Alexander III and Nicholas II were singularly unqualified to build on his work.

There is no need to rehash the dismal drama of the reign of Nicholas II, but Montefiore incisively demonstrates just how unqualified Nicholas was for the job of tsar. I already knew this, but the author's insights are fresh. What is really eye-popping is his trashing of Alexandra. Far from being the sympathetic character traditionally presented in history books, she was incredibly stupid, overbearing, and vicious. Her relationship with Rasputin is closely examined by the author. Rasputin and Alexandra might not have been the proximate cause of the collapse of the dynasty, but they definitely knocked out some key props of the throne. Apropos of Rasputin, Montefiore's account of his demise is fascinating, at least, and at most sensational as he posits that Yusupov had help from the British secret service. Well, it was new to me.

The bottom line: this book reads like a novel and is one of the most fascinating books I have read in a while. Other readers might wish for more on the structure of the Russian government, monetary policy, more military history, and any number of things. However, this book is presented as an intimate account of an entire family, warts and all. In Montefiore's hands, the Romanovs have found their Suetonius, only with deeper scholarship. 4.5 stars.

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Jumat, 07 September 2012

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  • Sales Rank: #383704 in Books
  • Published on: 2010-08-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .70" w x 8.40" l, 1.50 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

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